Your honor episode 8
“I don’t want to be too polemical, but am I angry about the system and how it functions and how badly it fails some sections of the community? Absolutely,” Moffat says.
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Lee, for example, never explicitly calls Michael on his white privilege, yet the beats Moffat, and finale director Cranston, left in between them in the scene allow for audiences to fill in such judgements and emotions. But when he came to America, he found a “scandal” around prison conditions and “the way that courtrooms treat people who have only been accused of a crime - they’re not guilty of anything yet.” These were areas he wanted to focus on exploring in “Your Honor,” but he wanted to keep conversations between characters specific to their situation while still potentially opening the eyes of the audience to larger issues. Moffat, who spent a decade working in the criminal justice system in the U.K, shares he thought he was pretty “unshockable” after visiting prisons across the pond and being a part of the process for so long. Eugene gives it a go, but it fails him, and that’s an important story in America today.” And it’s hardly ever true, in my experience. I can negotiate our way through this’ - not true. Carmen Ejogo’s character Lee said, ‘Trust me, trust me, trust me. “What the first 10 episodes have told us is the system has failed. That shouldn’t be true, but it is true and we wanted to tell that story,” Moffat says.
Your honor episode 8 skin#
“In 10 episodes describe the egregiousness, the injustice that happens to some people in the criminal justice system - that the color of your skin and how much money you have makes a massive difference to outcomes. The tragedy of the finale is not simply that Adam, too, lost his life, but it is that Eugene has been so failed by the system he felt he had to take matters into his own hands and has now become a criminal.
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A road trip to Alaska? That’s forever, but sure enough, that can’t be tragedy is inevitable,” Moffat says.Īll season long “Your Honor” had been steeped in tragedy, first from the outcome of Adam’s hit-and-run but then more notably to the way characters such as Jimmy and Michael wielded their power and privilege, to the detriment of lower income and primarily Black characters. That’s the point of that very brief scene in the middle of the party at the Baxter Hotel - the promise of the future that Romeo isn’t going to have. In a poetic twist, Eugene made his way into the Baxter Hotel to take revenge on Carlo, the man who physically murdered his brother - only to aim incorrectly and shoot Adam, the one who was actually responsible for setting all of these events in motion in the first place. Moffat kept the moments of Michael looking through the window of the Baxter Hotel and seeing Jimmy embracing and whispering to his son in the finale, but he ended up literally killing off Adam, too.Īdam was celebrating Carlo’s verdict with the Baxters because he began dating Fia Baxter (Lilli Kay) after the two met at a memorial for her brother.
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Carlo ended up being found not guilty, in part because of Michael’s manipulations within the courtroom, which made it seem like justice would not be served in any way. And when the Baxters closed in on the truth, Michael agreed to rig the system so he presided over Carlo’s trial. The Baxter family wanted greater payback and blew up Kofi’s home, killing his mother but miraculously sparing his younger brother Eugene, who happened to be out at the time. He let another teenager (Kofi, played by Lamar Johnson) take the fall, and Kofi ended up in jail, where Rocco’s older brother Carlo (Jimi Stanton) killed him. I think Benjamin is a seriously good actor, especially the way he does very little but tells us so much - that’s very unusual in somebody that age, particularly,” Moffat says of Flores.įor 10 episodes, Adam’s father, Judge Michael Desiato (Bryan Cranston), went to extreme lengths to keep his son’s crime a secret.